And so the season closes with a barnstorming Sat mat and slightly less assured evening show. I very nearly deliver my last line pronouncing "horrible as "hoggible" but control my wayward mouth at the last instant. Which made me think how unmemorable some last lines might have been if the actor hadn't been concentrating, viz: "Louis, I think this is the beginning of a suitable friendship" etc.
On the drive back I slip into murmuring my lines and find them comfortable friends now - something I never felt actually during the shows. The same goes for much of the other fundamentals of acting when applied to rep; it's rare that you get to concentrate on the drama as much as you'd like to amid all the prop/costume/blocking worries which never fully evaporate, and that's a terrific shame.
If I've learned anything over the last month, it's this: that rep will expose, cruelly and immediately, any guilty secrets you have as an actor. Whether it's a problem learning lines, fear of long speeches or holding the stage, remembering blocking, a confidence issue or a problem with focus, it will all be thrown into VERY sharp relief with absolutely no chance of resolution in the immediate present (and sadly, that is when you need it most). And that's scary.
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