One of the games we play on set (Mel, Michael and I) is trying to work out who's who - not the crew, that's obvious, but the agency and client people, of whom there are an awful lot.
It's a little disconcerting, especially when quiet words are had with the director and new notes emerge, or you're asked to do something completely differently as a result of a huddle. Fair enough, though - it's their money and their concept, and they know what they want.
We find ourselves opposite a groovy-looking agency guy at lunch and subtly try to get some info - he's the writer, it turns out, and has been monitoring things very closely. He saw our audition tapes and knows us rather well, and he's very positive about our contribution. Good to hear. It's also good to hear that the amount of money that's been poured into this pretty much guarantees it'll be broadcast....
As we finish our lunch, the vampires arrive.
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