I remember when we started re-rehearsing "Abigail's Party" we strictly and consciously avoided mentioning details of the previous production unless absolutely necessary. And that was a great idea, the new show was totally different and equally valid in a way I never would have thought possible.
Here though, I find myself asking "what did he do?" or "what was his physicality like here?". Surely the only way we can get this on by tonight is if I replicate as exactly as possible what has gone before. It's not ideal, but as Blackadder says, "Needs must when the devil vomits in your kettle".
It becomes abundantly clear very quickly that he and I are very, very different. What came before feels odd to me, like wearing a pair of shoes which don't fit, but otherwise it means going barefoot over the hot coals.
Michael suggests a change, and it's Pato's distance from Maureen which catalyses it. I can't get the changes of gear from intimacy to separation, but as soon as M. suggests I abandon it and play an intention to remain close to Maureen, I feel instantly better. Instantly he becomes a man I begin to understand.
No comments:
Post a Comment