It seems bizarre that the closing seconds are still up in the air, but it's rather consistent with the whole process, this collaborative aspect. The issue of John's redemption or otherwise is resolved in this final scene, and being responsible for the clarity or muddiness of these final moments is a worry, as Amin is inevitably called out to frame up shots with DOP Matt.
As you'll have gathered, it's a busy set. One geezer hanging around that we really don't mind at all is Lucca Messer, who is taking some fabulous stills of the action and of the off-camera moments. He manages to be unobtrusive and yet catch the crucial action beautifully, whilst recording the days in reportage style.
Of course, I have too many fajitas at lunch. Thank God this isn't a two-week shoot. I'd have to get my trousers altered.
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