Sunday 26 February 2012

Clothed Horses

And so to Enniskillen, which was a controversial stop in the past, and not for the reasons one might imagine. In 2008 this was the site of Cheesegate, where a conglomerate of cheese producers showed up at the venue to take some publicity stills of the cast of "Abigail's Party" with their cheeses, playing on the tenuous pineapple and cheese connection in the show. Only problem was they hadn't really cleared this with anyone first. A cheesy standoff ensued and slightly spoiled the day.
Today we arrive with the prospect of doing the show without the nudity, which is the first and only time this will happen on the tour (Lisburn cancelled their date because the Artistic Director refused to accede to demands for a clothed version of the show). The discussions which have led to this outcome are obviously far too detailed and prolonged to go into here - it is a fait accompli and whatever our artistic feelings about it, we need to respect their wishes - after all, they have booked and paid for the show.
Would it be a good thing if ultimately it doesn't matter? After all, it is a very small percentage of the action. Is it possible that in the final analysis, the nudity isn't all that important to the success of the show?
When the curtain falls, of course, it does matter. And it's reassuring that it does - for all of us who claim that it is justified in the context of the drama; for the two dedicated and brave professionals who disrobe publicly on a nightly basis (something which is the stuff of nightmares for most people); for the hundreds of people who have watched those moments with us and have seen how they throw the story into even sharper relief. Naturally I'm disappointed that the paying public of Enniskillen couldn't share those moments with us last night. I'm disappointed that they didn't get the "Equus" that perhaps they expected. I'm disappointed, too, that they might suspect for a moment that it was a creative decision. However, we go to Kilkenny, Dundrum and beyond with vigorous confidence and empirical proof that this is a story which is best told as we have been telling it - unveneered and unvarnished.

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