Not having been to Edinburgh for a few years (OK, twenty) I was keen to take advice from younger and wiser colleagues before embarking on this project. It boiled down to this:
- don't overrun
- flyer every day for at least two hours
- get the reviews in early
Oh God, the reviews. I don't doubt my judgement on my own show, or really care (to be honest I expected a harsher time than we've had) but I regularly seem to have seen a different show than the press. There's healthy debate in the flat, too - Josh (who plays Stanley) has tastes so polar from mine that I should organise my bucket list from his shit-list. Well, except for on the Sondheim show that generated David's troublesome review.
There we have solidarity.
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Josh Green meets his public
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Our early reviews were healthy, but as expected the Broadway Baby/Three Weeks ones were less enthusiastic. They praise the general aesthetic but find fault with the central relationship, which is a problem in the script in my opinion, and Libby Purves from The Times said much the same. Three stars from her was a lovely surprise, although the review was constructed in such a way as to defy the extraction of a pithy quote except "Terrifically authentic hairdos". Not quite the way we wish to be remembered!
2 comments:
Darling, you got an excellent review from a reader of the Railway Times, on his blog.
Thank you darling. I'm sure it jumps out at you if you're looking but you couldn't make it jump a bit higher could you? x
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